Dolby noise reduction

The invention: Electronic device that reduces the signal-to-noise
ratio of sound recordings and greatly improves the sound quality
of recorded music.
The people behind the invention:
Emil Berliner (1851-1929), a German inventor
Ray Milton Dolby (1933- ), an American inventor
Thomas Alva Edison (1847-1931), an American inventor
Phonographs, Tapes, and Noise Reduction
The main use of record, tape, and compact disc players is to listen
to music, although they are also used to listen to recorded speeches,
messages, and various forms of instruction. Thomas Alva Edison
invented the first sound-reproducing machine, which he called the
“phonograph,” and patented it in 1877. Ten years later, a practical
phonograph (the “gramophone”) was marketed by a German, Emil
Berliner. Phonographs recorded sound by using diaphragms that
vibrated in response to sound waves and controlled needles that cut
grooves representing those vibrations into the first phonograph records,
which in Edison’s machine were metal cylinders and in Berliner’s
were flat discs. The recordings were then played by reversing
the recording process: Placing a needle in the groove in the recorded
cylinder or disk caused the diaphragm to vibrate, re-creating the
original sound that had been recorded.
In the 1920’s, electrical recording methods developed that produced
higher-quality recordings, and then, in the 1930’s, stereophonic
recording was developed by various companies, including
the British company Electrical and Musical Industries (EMI). Almost
simultaneously, the technology of tape recording was developed.
By the 1940’s, long-playing stereo records and tapes were
widely available. As recording techniques improved further, tapes
became very popular, and by the 1960’s, they had evolved into both
studio master recording tapes and the audio cassettes used by consumers.Hisses and other noises associated with sound recording and its
environment greatly diminished the quality of recorded music. In
1967, Ray Dolby invented a noise reducer, later named “Dolby A,”
that could be used by recording studios to reduce tape signal-tonoise
ratios. Several years later, his “Dolby B” system, designed
for home use, became standard equipment in all types of playback
machines. Later, Dolby and others designed improved noisesuppression
systems.
Recording and Tape Noise
Sound is made up of vibrations of varying frequencies—sound
waves—that sound recorders can convert into grooves on plastic records,
varying magnetic arrangements on plastic tapes covered
with iron particles, or tiny pits on compact discs. The following discussion
will focus on tape recordings, for which the original Dolby
noise reducers were designed.
Tape recordings are made by a process that converts sound
waves into electrical impulses that cause the iron particles in a tape
to reorganize themselves into particular magnetic arrangements.
The process is reversed when the tape is played back. In this process,
the particle arrangements are translated first into electrical impulses
and then into sound that is produced by loudspeakers.
Erasing a tape causes the iron particles to move back into their original
spatial arrangement.
Whenever a recording is made, undesired sounds such as hisses,
hums, pops, and clicks can mask the nuances of recorded sound, annoying
and fatiguing listeners. The first attempts to do away with
undesired sounds (noise) involved making tapes, recording devices,
and recording studios quieter. Such efforts did not, however,
remove all undesired sounds.
Furthermore, advances in recording technology increased the
problem of noise by producing better instruments that “heard” and
transmitted to recordings increased levels of noise. Such noise is often
caused by the components of the recording system; tape hiss is
an example of such noise. This type of noise is most discernible in
quiet passages of recordings, because loud recorded sounds often
mask it.Because of the problem of noise in quiet passages of recorded
sound, one early attempt at noise suppression involved the reduction
of noise levels by using “dynaural” noise suppressors. These
devices did not alter the loud portions of a recording; instead, they
reduced the very high and very low frequencies in the quiet passages
in which noise became most audible. The problem with such
devices was, however, that removing the high and low frequencies
could also affect the desirable portions of the recorded sound.
These suppressors could not distinguish desirable from undesirable
sounds. As recording techniques improved, dynaural noise suppressors caused more and more problems, and their use was finally
discontinued.
Another approach to noise suppression is sound compression
during the recording process. This compression is based on the fact
that most noise remains at a constant level throughout a recording,
regardless of the sound level of a desired signal (such as music). To
carry out sound compression, the lowest-level signals in a recording
are electronically elevated above the sound level of all noise. Musical
nuances can be lost when the process is carried too far, because
the maximum sound level is not increased by devices that use
sound compression. To return the music or other recorded sound to
its normal sound range for listening, devices that “expand” the recorded
music on playback are used. Two potential problems associated
with the use of sound compression and expansion are the difficulty
of matching the two processes and the introduction into the
recording of noise created by the compression devices themselves.
In 1967, Ray Dolby developed Dolby Ato solve these problems as
they related to tape noise (but not to microphone signals) in the recording
and playing back of studio master tapes. The system operated
by carrying out ten-decibel compression during recording and
then restoring (noiselessly) the range of the music on playback. This
was accomplished by expanding the sound exactly to its original
range. Dolby Awas very expensive and was thus limited to use in recording
studios. In the early 1970’s, however, Dolby invented the less
expensive Dolby B system, which was intended for consumers.
Consequences
The development of Dolby Aand Dolby B noise-reduction systems
is one of the most important contributions to the high-quality
recording and reproduction of sound. For this reason, Dolby A
quickly became standard in the recording industry. In similar fashion,
Dolby B was soon incorporated into virtually every highfidelity
stereo cassette deck to be manufactured.
Dolby’s discoveries spurred advances in the field of noise reduction.
For example, the German company Telefunken and the Japanese
companies Sanyo and Toshiba, among others, developed their
own noise-reduction systems. Dolby Laboratories countered by producing an improved system: Dolby C. The competition in the
area of noise reduction continues, and it will continue as long as
changes in recording technology produce new, more sensitive recording
equipment.